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Abdul Ahad
Jul 17, 2022
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Nothing understands grievances better than the sea: corpses tied to bricks by ropes, evidences that have fallen into the sea, watermelons ordered to summon the souls of the dead, sculptures of fish that have crossed the sea, the story of each deceased is engraved in the sea. Nothing knows love better than the sea: when the tsunami hits, the beautiful family is preparing to eat Morinaga pudding, the men and women who would rather die than yield meet to die for love, and the soldier who was shot in the sea hides a suicide note to his lover, which is not yet in the world. The love that has been talked about is frozen into eternity when it falls into the sea. ... Haitongtong knows it. ——Huang Yi, "Body of Water", "Love in a Crowded City" Going back and forth, is it just going around and repeating, making fun of all living beings, and teaching us to wear out in vain and vain to get by? The appearance of the dust particles symbolized by the characters in "Endless" [Figure 1] is also the same on the surface: repeated several times, as if a collective sleepwalking, wandering in a closed building (system). Counting sheep in a trance, but the total number is less than one, or carrying boulders on the coast of nowhere, all kinds of rotations are endless. 03_e784a1e79ba1 Photo Credit: Courtesy of Wu Jiayun [Figure 1] Wu Jiayun's "Endless", film, color, 2.35:1, 13 minutes, 2021 However, what Wu Jiayun wanted the audience to understand may not be so. She sets up a time when she will wake up and let the authorities escape from the homogeneous and slow repetition, like leaving the soul, but also like watching a play, watching herself lift weights lightly in the ceremony, transforming the current reality into a theater, where the sacred and the mundane coexist. Contrast theatre director Peter. Brook (Peter Brook) believes that the existence of the theater is like a flash of lightning, to allow participants to glimpse the invisible reality that has permeated the daily life but is not seen by the senses,[1] The scene layout of "Endless" implies this. The intangible reality here comes from the serene walrus of the transcendent perception if the character seems to be unconscious. The inner connection between the sea and people is reminiscent of the analogy given by Carl Gustav Jung when he explained the psychological structure. If it is combined with wedding photo retouching services Taoist thought, the analogy is appropriate and comprehensible, not only because the sea is hidden or hidden. Conspicuous islands, like the onslaught of consciousness, and the seabed that stretches to every point of connection, like the collective subconscious, also lie in the sea as a symbol of the wisdom of a total experience, reciprocating with tides, revealing to people such a pattern, repeating the usual, it is the end of it. will return to eternal eternity. Consistent law changes, suggesting that reciprocation is the law of natural operation. In the law, everything will always return to its original state. Just like the sea, even if life is replaced by life, its cycle is ultimately composed of the same elements. At this point, go back and look at Wu Jiayun's "Empty" carefully. Those temporal contexts strung together from discrete paragraphs have already emerged in the post-set integration. The common point that they are obsessed with: I can only see elements such as wind, light, water, and shadow. The same words are repeated in the dark, vaguely expressing the attitude of life that has converged from the differences to the essence, as if hoping that the mind will be like a sea. No matter how long it takes to destroy and how many phenomena it breathes, it will still recover its original appearance and maintain its original intention. If the wild waves and tsunamis are the emotions of the sea, then the sea, as a relatively large year of life, will eventually show emotional indifference (returning to the sea level), which indicates the short-lived us who give the impression of the fans: the truth about eternity can only be Spiritual training, practice to get rid of the obsession with the decorative effects of concepts, definitions, appearances, etc., and only to remember the futile shortness of looking at the front, practice from partial retreat to comprehensive view, until the moment when you know that you are going through the predicament, It's just a cutscene before arriving, and this is the realization of the sea. Of course, it would be an oversimplification to say that if the daily cycle causes fatigue, and only because of rational calculation of the cost, it is a cocoon. For the artistic creators and even everyone shown in Wu Jiayun's "Jet Lag" [Figure 2], the pursuit of freedom like the sea is not as easy as belonging, but more like choosing to believe in the promise from the future to the present. Regardless of fulfillment, I still have a life full of life that just lives for me and doesn't need to be defined by anyone.
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Abdul Ahad

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